I’m back at my latest novel Coney Island Siren. The final corrections are nerve-wracking. I have excellent notes and comments from my editor, but am still anxious that I’ll miss something. I will. That’s what makes me human. Hopefully, any errors will be kept to a minimum. It felt good to be back in the text and the poetry. I still love the book after years of writing it and months of editing. I’m planning to have advance reader copies ready within the next couple of months. Let me know if you’re interested. I’ll see what I can do. There’ll only be a few but maybe you’ll be on the receiving end of an ARC. The book release will be in June of 2019. Soon there!
I have a candle burning in the background and could hear Graciella trying to get my attention. It’s Sunday evening and time for a weekly reading. She’s on time. So I am. Finally. I smudged myself and the oracle deck with white sage and feathers. Together, Graciella and I centered, took a few deep breaths, and shuffled the deck three times. We spread the cards out face down in a fan-like formation and asked for this week’s message. We pulled one. The Toreador-Matador Card! ¡Olé!
This is the card that came up multiple times at the Artisans Annual Holiday Market at El Barrio’s Art Space that I attended recently with other artists and authors. This card just kept popping up!
As the toreador who circles, who embodies the concept of stealth, we are ready to strike repeatedly at all costs of life to satisfy the audience. We strive to complete the transaction that we believe we are bound to and cannot consider extricating ourselves from. The truth is that we can remove ourselves from anything we are in conflict with at any time. We are not robotic in our maneuvers. The toreador seems to be in union with the bull. Watching its every move. Planning the execution. But the toreador also has his or her eye on the blood-thirsty crowd who has gathered to see what for some is a barbaric fight. The same grace that is needed for this bloody dance is also one that may be used to save the one who may actually need the saving. Is it the intended target, such as the bull? The audience who has paid a fee for the spectacle? Or is it the toreador who might benefit by walking away? During the week, look to see where this might fit in your drama. It may be a quick strategy. It may not even be your own, but one that you are allowed to be privy to. Share your experience in the comments when you experience it. Graciella and I are certain that you will have the opportunity.
Graciella y Theresa