Graciella la Gitana Oracle © Weekly Reading

I’ve got lots to write about at so many levels regarding my recent book launch and reading for my latest novel Coney Island Siren. Truly, after all was done I sort of just felt super exhausted. There were months of prep including phone calls, decisions to be made, and food to be ordered. Anyone who’s had a big event knows all about the process. So, I haven’t written a post describing the butterflies and the strengths or the illusions and the realities. This weekend I basically hung out at the house and gardened. Watched TV. Explored the tarot in a deeper manner. Did all those things that help me to feel like myself again. I’m the introvert who occasionally acts like an extrovert.

I have two events coming up this week. They’re on the side bar to the right of this post here. The first is Wednesday at Word Up! in Washington Heights at 6:30pm. I’ll be on a panel taking about Crafting the Artists Life and how we artists make it in a location that isn’t all that art friendly. Raquel Penzo, of La Pluma y La Tinta is moderating. Orlando Ferrand, poet and translator extraordinaire, and Maria Fernanda, Poet. The second is called The Power of the P! Organized by the talented dynamic Alicia Anabel Santos at BAAD- Bronx Academy of Arts and Dance. This one is on Thursday evening at 7:00pm. I’ll also be attending a concert with my spouse and so on. It’s important for me to commit to taking some minutes each day, during this very busy season, to center, ground, and meditate. Allow Spirit to talk to me. I need to listen. This will so help me to respond in a healthy and sane way to this week’s busyness.

Together Graciella la Gitana and I shuffled the oracle deck. We centered. Grounded. Allowed the feeling of tranquility to wash through us and unite us. We fanned the deck out on the desk and with my right hand, I pulled the card that felt right. I should mention, if I haven’t before, that at the tarot classes I’d recently taken the expert instructor, Robert M. Place, advised us to pull a different way with our left hands as that is our intuitive side. Graciella prefers me to use my right hand for some reason. I do as she asks. We pulled the Contemplation card.

This card is so beautiful to me when I look at it. The female takes time to meditate on what is at hand. In this case there are the different fabrics that I imagine she goes to buy at a bazaar. I’m sure that she haggles on the price of the fabrics. What is it that she is looking for? Does she settle if she doesn’t find the fabrics that she prefers? These are all questions that only she can answer. The rich greens of the shrubs outside behind her nicely match the darker velvety green of the drape above her. Or is that a drape? It may be another fabric that she could take home with her to concoct a gorgeous confection. This female, who I will call Graciella, is at home here at the bazaar as she bides her time looking for the perfect item for herself. She has no fear that she will be taken advantage of as she closes her eyes. There is the vibration of calmness and tranquility. She wears some of her gold baubles, jewelry she corrects me, and is self-assured. Bring that self-confidence with you wherever you go this week. Take your time. Be strong in knowing who you are. It’s not about having a big ego. It’s about knowing who you are. One doesn’t have to demand respect. One who self-respects brings that vibe wherever they go. Bring your self-respect with you. It will always be your friend and greatest ally.

In light and love,

Graciella and Theresa


Read that baby

My editor has made many “suggestions” like get rid of all the quotation marks I use (like that one), stop all the ellipses, learn the difference between using “the” and “my” (there I go again with the quotation marks) and many others (like not using the word many twice in one sentence). It’s a lot for me to ponder when all I want to do is get my story going and done! Impatience is one of my faults.

She revised my manuscript for Coney Island Siren and I not only received advice but mini-lessons regarding more incisive writing. One suggestion was to read my sentences aloud. Okay, I thought. I can do this. This isn’t the first time that I’ve heard it but this time I figured I would actually do it. Wow.

I’d finished all of her suggested revisions and then started reading it aloud for my daughter who listens to me when she visits from Texas. My spouse, goddess bless her, was in the room too. Half way through the page I realized I had no feel for the protagonist. Who the hell is talking here? My structure was off and sounded way too formal. No easy-listening rhythm here. Back to the drawing writing board.

This time around, I’ve read it aloud sentence by sentence. Would Maggie say this? Does Frank really sound like this? Am I letting my characters speak or am I speaking for them? It’s slow-going but fun. I’m pleased with the results. I’m accepting the fact that my revisions still may need more revising.

Recently, I read a few pages at Bluestockings with La Pluma y La Tinta. As Raquel Penzo puts it, I’m an OG. Vet of the reading force. We’d started that workshop group in my living room about eight years or so. I have lots of writing and reading experience but am always open to learning more about the craft. While my other two novels are good friends of mine, my new work requires nurturing of our relationship. No matter how long it takes.

This short video is me reading some of Coney Island Siren. See you on the boardwalk.



The First Time

Candle light? Guitar strumming in the background? A glass of fine wine?

It would be great if that had been the ambience the first time I read in public. Instead, it was at a bookstore in NYC. Bright lights, empty seats, and my nerves tangled into one complex ball of feverish belly fire.

It’s only been a few years since then but I remember it like it happened for breakfast today. I talk to published authors and aspiring ones and many share the stark anxiety of reading in public.

Here are some ways to get ready for your maiden voyage.

1. Pretend , as Marcia Brady on the Brady Bunch suggested, that your audience is desnudo (that’s right, nekked).

2. Practice your lines out loud. Read them over and over. No need to memorize them if you’re not a performance artist. Reading is good enough. The upside is you’ll likely catch those little things you’d like to change before you’re in front of the empty chair, er, I mean, audience.

3. Let a transparent (new way of saying honest) person listen to you before you take your place in front of the mic.

4. Wear something comfortable. You want to focus on your words, not your cleavage or hemline. Let the audience get what they came for. If you get asked out after you read you know it’s because you are insanely talented. No, I don’t mean wear your nun’s habit.

5. Hook up with other writers. Being part of the New Voices Series has been exactly what I needed as a new writer. I’m not so new anymore but love to experiment with different themes, voices, and styles of writing. I was even invited to brunch with an agent. We eventually didn’t sign any contracts but that food at NoHo was divine! Plus, I learned a lot- especially how to pretend I was A Star!

6. Consider sending an email to La Pluma y La Tinta’s fearless Raquel Penzo. She’ll get you started at the next New Voices event.

7. Come out to Pacific Standard at 82 Fourth Avenue in Brooklyn on 7/17 at 7pm. Sign up for the open mic. There may not be strumming guitars but there will be fine wine. Mostly we will support your “first time.” You won’t be doing this alone.

See you there!


Pluma y Tinta is at it again!

What could be better than drinks, readings, and people on a midsummer’s eve in Park Slope?

Join us!

July 17 at 7pm

Pacific Standard
82 Fourth Avenue
Brooklyn, near Bergen Street


New Voices Reading Series Fifth Anniversary

Come join us at 4pm on April 27, 2014 at Simplicity Wine Bar 310 Malcolm X Blvd. Brooklyn, NY 11223

The New Voices Series Reading Anthology will be available for purchase. I’m happy to have a short story included in the anthology.





Interview with author Raquel I. Penzo

Hello! Please welcome Raquel I. Penzo  author, event planner, literary person of many talents. It’s been my pleasure watching her growth in creativity and accomplishments these last several years. I do think she’d be a great stand up comic. But that’s another blog for another day. Enjoy!

What are your genre and your intended audience?

I write fictional stories because that’s where I’m most comfortable. I don’t write about pretty things and I use tons of foul language. I include a lot of dysfunction and unhappiness even though my own life has been relatively normal and uneventful and charmed and privileged.

But I suppose I should also acknowledge that I have a blog (, est. 2006) where I write very personal things about myself on an almost-daily basis (1800+ posts and counting). When folks ask if I’ll ever right a memoir I can just point them to that URL.

As for an audience? I’ve never had anyone other than my younger sister Mari in mind when I write. Before it was “Is this story age appropriate for Mari?” or “Will she like this?” But once she entered her 20s I was really able to let go, both in my stories and on my blog, although I still try to not shock or offend her. Not sure how successful I’ve been with that, though!

What are you currently writing?

I don’t have just one thing I’m working on because my brain can’t function like that right now. First, I have a group of short stories inspired by a recent trip to visit my family in the Dominican Republic. My Tia Iris took me to La Descubierta, a small town along the southern region (25 miles from the Haitian border) where my mother’s parents—Candelario Acosta Perez y Rafaela Bermudez Ortiz—met. My mom and Titi Gloris grew up there with my grandmother, great-grandmother Ramona, and a slew of aunts, uncles, and cousins. It was almost surreal to see this magical place I’d always heard about but never knew. It truly inspired me to write—I have five stories drafted from that trip alone! It also inspired me to move there, but that’s a story for another day.

I’m also working on a poem that just burst onto the page from nowhere. I’ve never been good with poetry; for the most part I don’t get it and it confuses me a lot. But I was looking out of the window while riding the F-train, saw the Kent Textiles sign that’s visible when the train is above ground in Park Slope, and <poof!> a poem was born. Obviously it’s about Brooklyn!

In addition to those two projects, I’m editing an anthology for the reading series I curate (the New Voices Reading Series), ghostwriting a book for a client and reading a memoir manuscript for a friend. I consider all of that “writing” because it influences where my ideas come from. The anthology features pieces from writers and poets who’ve participated in the reading series in the past five years, and some of those pieces are amazing! Very indicative of the talent I’ve seen cross the stage at my events. The memoir I’m reading tells such a captivation story of the author’s search for love that it’s making me see my friend in a whole new light. And the book I’m working on for a client is such a departure from what I normally write that it’s comical. I can’t discuss the project but if anyone knew I was writing this they’d laugh heartily!

When do you make time to write?

I am an insomniac and a chronic procrastinator, so I mostly write at night when I should be in bed (think: 3 a.m.), or at work when I should be editing articles or working on a campaign.  Something about only having T-30 seconds to meet a deadline gives me such a rush, and I’m addicted to that feeling. I swear it makes me more productive and creative, but in reality it’s probably just setting me up for a stroke!

What would you have done differently in your writing life? If anything at all?

I would have taken it more seriously earlier than I did. I began my academic career studying engineering and environmental science because I was taught to get a practical job, and that the arts didn’t pay. And while I enjoyed everything I learned in the sciences (it’s still a huge interest of mine) I can’t help but think about all the time I wasted not writing.

Tell us about your marketing strategy.

You would think that someone with nearly eight years of working in marketing and public relations would have a plan, but I don’t. I come up with ideas for events or stories or books and then just go balls to the wall with it. If people get on board, great. If they don’t then I have an excuse to eat my feelings and pout, one of my favorite pastimes.

I definitely see the importance of publishing and getting exposure for your work, and of course monetary compensation never hurt anyone. But I’m of the school of “art should be free,” so if something I wrote, curated or produced touched just one person, but I didn’t make a dime from it, I still feel like I’ve done a good thing.

Does your spiritual or political life influence your writing? If so, how?

I’ve dubbed myself a Recovering Catholic, meaning I was raised in the Catholic faith and then ran screaming from Christianity as soon as I gathered up the courage to do so. I’d be a fool to think this doesn’t influence my work! Just think of all the doubt, self-loathing, repression, and insecurities that have made the cut in all of my stories—that’s definitely latent Catholicism at its best!

As for politics, I’m a little vague on what that means here. I’ve always turned a blind eye to political happenings but one can only do that for so long. I know this white-washed Brooklyn of today influences my writing and my desire to creating a literary community for writers of color. I know that my racial/ethnic/cultural background influences the characters I create, the artists with whom I choose to associate, and the causes I choose to support. And I especially acknowledge that the tumultuous past (and present!) in the Dominican Republic affects what I do and write, too. It’s not something I can escape.

What would you like to see in your literary community?

I truly enjoyed the sense of community I felt while earning my MFA at Fairleigh Dickinson University, and I’d like to recreate that without charging someone $40,000. I loved the workshops, living on campus, sharing meals with other writers, taking day trips, sitting in on panels and lectures, meeting new writers as well as old favorites, trying my hand at a new genre—I fell in love with all of it.

Currently I’m running an Indiegogo campaign to raise funds for La Pluma y La Tinta, an organization I co-founded in order to curate and host literary events and provide support to up-and-coming writers and poets. The event everyone knows and loves—the New Voices Reading Series, which features new artists living in and around NYC—is in its fifth year, and that made me want to help this thing I started evolve into something more.

I envision low-cost writing workshops run by talented teaching artists; book clubs that seek out interesting tomes from a variety of authors and not just those displayed in bookstore windows; literary readings for a lively audience; programs for young readers that enhance the school curriculum; a literary magazine; and even a residency in a beautiful international setting. I’ve been called a hippie for having this dream, but that’s fine. A commune of talented writers doesn’t sound too shabby to me at all!


BIO: Raquel I. Penzo is a Brooklyn, NY native who has carved a career for herself as a writer, editor and literary event curator, hosting the New Voices Reading Series each quarter in NYC and working in the Marketing & Communications Department of Brooklyn Public Library. Penzo has authored the self-published My Ego Likes the Compliments…And Other Musings on Writing, and the short stories, “Grey Matter,” published online at Blue Lake Review, and “On a Blue Day,” in the zine You Should Be Here.

Visit her online at and the Indiegogo campaign!